We have been talking about best
seller vs. low-sellers. Now let’s discuss fiction vs. non-fiction and what
sells best. By now, you probably know that novels are the hardest sell for
unknown writers. So why do I write them?
Abraham Verghese, MD and medical
school professor, says, “Good fiction can achieve a higher kind of truth than
non-fiction. Good stories are instructions for living . . . a great novel can
transport you to another planet, let you live vicariously a full life, and when
you come back, it’s still Tuesday, and yet you’ve learned the lessons of a
lifetime. That’s what everyone, doctors included, could get from fiction, and
God is in the details.”
People often ask how much in my
novels is true. I usually give them a percentage. When they ask about Home Light Burning, a novel that takes
place just after the Civil War, I tell them it as about as true as your average
history book. Actually, in some places, it’s more accurate than many history
books.
G. K. Chesterton’s book Everlasting
Man influenced C. S. Lewis to return
to Christianity. Chesterton said,
“It’s not enough to be told about something that happened or a historical fact.
We want to know what it felt like. So long as we neglect this subjective side of history, which may be
more simply called the inside of
history, there will always be a certain limitation on that science which can better be transcended by art. So long as
the historian cannot do that, fiction
will be truer than fact. There will be more reality in a novel; yes, even
in a historical novel.”
Pat Conroy said, “A novel is my
fingerprint, my identity card, and the writing of novels is one of the few ways
I have found to approach the altar of God and creation itself. You try to
worship God by performing the singular courageous and improbable favor of knowing
yourself.”
Fiction or non-fiction, we
should realize that reading for pleasure and reading for knowledge are not
mutually exclusive. Novels have changed the world—because we learn from stories.
We can gain knowledge and pleasure in the same book.
My point in making the comparisons
between our writing and best-sellers is to illustrate that you might write a
very good book that does not sell well. Most don’t.
But I can promise based on my own experience
that you will grow wiser and stronger through the reflection required to write
a book—that you will meet dozens of new people and will rekindle dormant
friendships. You will gain pleasure and a sense of accomplishment for your
efforts, and you will contribute to posterity—if not for thousands, at least
for your closest circle of friends and family.
Write your book not because you
want a best-seller, but because you have something to say, something to pass on
to future generations.
No experience? Afraid of making
mistakes? How does one get experience? From making mistakes and from deliberate
practice. So just write. Be yourself. Find your voice. Write how you talk and
express how you feel.
The bad news is that, after more
than twenty years of writing, my doubts about writing have still not
disappeared. I told someone once that I write because I can’t sing. When my
doubts return, I hum the words to “Why Me, Lord?” written by Rhodes Scholar
Kris Kristofferson (whose ambition was to be a novelist). I knew the first few
lines by heart, but when I looked up the lyrics, I found this verse:
“Try me, Lord. . . if you think there’s a way—I can try to
repay—all I’ve taken from You. Maybe, Lord,
I can show someone else—what I’ve been through myself—on my way back to You.”
Also from Ravi Zacharias: “the day
that each person willingly accepts
himself for what he or she is and acknowledges the uniqueness of God’s framing
process marks the beginning of a journey to seeing the handiwork of God in
each life. Trying to mirror someone else’s accomplishments is one thing. Trying
to be someone else in distinctive
capacity is unhealthy and breeds insatiable hungers. Not everyone is a Bach or an Einstein. But there is splendor in the
ordinary.”
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