I had heard of her before, but the first time I saw her was
in my yard on a warm summer day. She walked around, casting a critical, but not
judgmental eye on our place in the country that we call Bar Nun Ranch. It’s not
really a ranch, of course. Not big enough. But I think Annie liked what she saw.
I was expecting her and hailed her from
the metal-roofed building I call my office. Jan calls it the White House.
She drove the few yards in her new bright-red Ford half-ton
with fancy wheels and all the accessories that cowboys tend to prefer. I found
out later that her hair had been jet black, but it was now white and pulled
back in a severe pony-tail. Tall, but beginning to stoop slightly, she wore
jeans and a white western shirt and ivory ostrich boots with riding heels. I
don’t pay much attention to jewelry, but I recall she had on a lot of
turquoise. When she extended her hand and shook mine firmly and warmly with a
bright smile, I knew we would be friends, but I didn’t know the half of Annie’s
story. Still don’t, but I know more than some.
Her reputation preceded her. My in-laws knew her and a lot
of folks just older than me remembered growing up with her around Fairlie,
Yowell, and Commerce. The mere mention of her name to any of those people
always elicited a smile and a story or two of her young and wild days as Ann
Milford (Anna Mac, Little Mac, etc..). Her brother was the famous Dallas weatherman and later congressman,
Dale Milford. Everybody around here was proud that he was one of our own when
we saw him on television every night. But five minutes into our conversation, I
suspected Annie was nothing like her gentlemanly brother.
Annie loved my rustic office because, of course, it is about
as cowboy as I could make it. She handed me a business card that said “Painter
of Portraits, Poet/Writer, Umbrella Fixer, Goat Roper, Fry Cook, Grandma,
Bootlegger, Part Time Cab Driver, Full Time Texan. I thought it was a joke, but
it wasn’t. I was particularly interested in that part about painting. The red
pickup just happened to hold a couple of large portraits she had painted. One
was of a 911 first-responder that would bring tears to a grown man’s eyes. I’m
no art critic, but I knew she was talented. That first meeting planted the
seeds of a friendship that has blossomed over the years. I knew she had owned
at least two night clubs, but did not know she had performed in “The Best
Little Whorehouse in Texas” at Casa Manana and that she was a nominee for the
Cowgirl Hall of Fame.
Annie was coming to see me about a manuscript she had
written. Terry Mathews, now Arts and Entertainment Editor for the Sulphur
Springs News Telegram, caused our paths to cross. Annie had participated (that
word is too lightweight) in what became known as the Great American Cattle
Drive of 1995. Her manuscript told of her adventures as the only woman drover
on that drive. She had held her own with cowboys (all younger than her) all the
way from Fort Worth, Texas to Miles City, Montana, a journey of some eighteen
hundred miles and six months. As a veteran of my own horseback and covered
wagon trip across Texas, I was impressed. We had traveled less than a quarter
of that distance and we didn’t have 300 head of longhorn cattle and over a
hundred horses to keep moving. And Annie was nearly sixty-four when the drive
began.
I suspected that her drive was well-financed and that the
participants were borderline coddled on the trip. I learned better. They
endured rain, sleet, hail, high winds, a tornado, extremes of both heat and
cold, and lack of funds. Worse, they endured homesickness, frustration,
disappointments, and dissension. We had none of the latter and few of the
former on our trip. Bad weather pales in comparison to dissension. But Annie
persevered.
Annie is an unabashed lover of cowboys and everything remotely
related to their lifestyle—makes no bones about it. She told me later that such
unconditional love had delivered a lot of joy but also more than a few
heartaches and trouble. I learned that she was once-divorced and twice-widowed.
Done with changing her last name, she took the name Golightly on a dance-floor
whim. I don’t recall who her dance partner was when she made that decision. She
lost one house by flood, another by fire, but still managed to get all five
kids raised.
During the time that we worked together on her book, I
learned that she was not only famous in our small corner of Northeast Texas,
but it seemed that almost everyone in the town “Where the West Begins” knew
her, too. Her father was Cherokee and the heritage is so evident she became
known in Fort Worth as “The Singing Savage”. She had performed for two American Presidents and two
foreign ones, Governor and Ms. John Connally, Arnold Palmer, Nelson
Rockefeller, Gene Autry, Roy Rogers, Slim Pickens, Chuck Connors, to name a
few. She had performed with Tom T. Hall,
Rex Allen, Rosemary Clooney (for you young folks—that’s George’s aunt), Ace
Reid, Arthur Duncan, among others. She completed her degree in English and
Creative Writing at Texas Wesleyan University at age sixty-three.
She was also one of the most cooperative authors I ever
worked with. And she knew how to market her work. Her friend Mike Cochran wrote
the foreword to her book. Mike is a journalist retired from Associated Press
and the Fort Worth Star Telegram who has been nominated for the Pulitzer three
times, authored five books, won six Headliner awards, and the Texas Institute
of Letters Stanley Walker Journalism Award (twice). Another friend of Annie’s and
columnist for the Star Telegram, the late Jim Trinkle, said of Annie, “There is
a happy, vibrant quality to songs as Annie sings them. Audiences . . . are
moved by her personal magnetism.”
When Dreams and A White Horse was published
less than a year after that first meeting, I learned that Annie knew folks at Billy
Bob’s (world’s largest honky-tonk) and arranged a signing there. She generously
requested (make that insisted) that I bring along my own books to sell. I
needed no persuading. I had listened to her CD’s, but finally cajoled her to
sing a song or two that night in Billy Bob’s, a night I will never forget.
It was to be the last time I would hear her sing and play. A
stroke stopped all that. It affected her peripheral vision and she had to stop
driving. She has trouble with one arm working like it used to. She had to give
up the pickup of her dreams and leave her beloved Fort Worth to be near her
daughter. She can no longer paint and has to hunt and peck on the keyboard.
I dropped by to see her in Corsicana a short while back and
spent a terrific afternoon. She talks frankly about her health problems but
refuses to let them get her down. She’s filled with gratitude for the life she
had and the life she has left, for the love and support of family and friends. She
still possesses that dogged determination that caused her to rise to the
challenge of participating in a long trail drive after being told that women
would not be allowed to serve as drovers.
And did I mention she’s a good cook? I keep a jar of her plum jelly in my office
refrigerator, saving it only for special occasions because Annie told me there
would not be any more. I hope she’s wrong about that.
Postscript: I write my postings days, sometimes weeks, even
months, in advance of publication. I wrote the rough draft of this one on
February 24, 2012. I put the final touches on it at 3:30 PM February 28. I
planned to called Annie and read it to her before posting the first week of
March. At 5:22 PM on February 28, I got an e-mail that appeared to be from
Annie, a very rare occurrence. It was her address, but not from Annie. The
e-mail was from Annie’s family. She died at 3:23, seven minutes before I
finished the final edits on the article. She insisted that there be no funeral,
no memorial service, only to be remembered by family and friends. She will be. She
donated her body to science. That’s so Annie. She knew, I expect, when she told
me there would be no more jelly.