A double treat –a movie and a book. The book was originally
called The Wettest County in the World,
but when the movie came out as Lawless,
the book was republished using the movie title. Memo to movie producers: It’s
okay to do that to any one of my books.
The action here takes place in the
twenties and thirties. As many of you
already know, this is an era that fascinates me, so I was eagerly looking
forward to both the book and the movie.
Matt Bondurant, the author, based his novel on the lives of
his uncles and grandfather. So it is a novel based on a true story. That’s the
kind I write, so that made my anticipation even greater. It’s also about
bootleggers, and as many of you know, purveyors of the movement of spirits
played a big role in Go Down Looking.
My bootleggers were products of the forties that plied their
trade in the fifties and through the seventies in Northeast Texas. They mostly
peddled bottled liquor bought in wet counties and transported (usually across
state lines) into dry counties. Some made and sold a little moonshine around
here, but not many.
The Bondurant brothers distill their own liquor in hidden
mountain stills in Franklin County, Virginia, and transport it across wooded
mountain trails. They don’t call it moonshine, but usually refer to it as mule,
white mule or corn.
As I got to know the Bondurants (Forrest, Howard and Jack) in
the pages of the book, I thought of the Newton brothers, said to be the most
successful bank and train robbers in history. Their escapades mostly took place
during the period 1918-1924, but they were still going at in their dotage.
A movie, The Newton
Boys, was made about them in 1998. In a documentary done when they were all
old, one of the brothers described their lives thusly, “We were rough old
boys.” The Bondurants were surely rough old boys, too.
Was my anticipation for Lawless
rewarded? Yes and no.
Bondurant is a fine writer. His second book was made into a
movie. None of mine have been, so what do I know? I write this review not as a
writer, but as a reader. He chose to tell the story both directly and
indirectly, using a technique I have seldom seen.
The story is told through the eyes of the brothers, but also
through Sherwood Anderson, a real novelist, reporter and chronicler of the era.
Anderson comes along after the major events of the book have taken
place, primarily trying to tell the story of the Bondurants and a female
bootlegger named Willie Carter Sharpe, who attained legendary status in
Franklin County.
The problem, as I see it, is that the Anderson chapters are
interspersed with the story that takes place many years before Anderson comes
along to report about it.These chapters delve into the writings and the mind of
Anderson, including his relationships with Faulkner and especially Hemingway
who seems to have been a nemesis for Anderson. Hemingway seemed to be fond of
chastising writers he deemed to be lesser (i.e. all other writers), using
satire. Anderson bore the brunt of his ridicule at least twice.
It sounds fascinating on the surface, but I was disappointed
when the author told me something in advance (through Sherwood Anderson) that I
wanted to find out in later pages of the book. He doesn’t give away the plot
totally, but the information provided is much stronger than typical foreshadowing.
The movie, wisely I think, omits any mention of Anderson,
focusing instead on the story of the Bondurant brothers. And the story told by
Bondurant is gritty and unforgiving, evoking comparisons to Cormac McCarthy. He
cuts his ancestors little slack. But fear not, the book contains three love
stories.
Here, I think the screenplay writers made a mistake. They
left out the most tragic and heart-rending love story, the one involving
Howard, choosing instead to focus on the loves in Jack’s and Forrest’s lives.
They probably did this because Howard was already married when the story really
begins, taking away the un-requited love aspect present with Jack and Forrest. But
Howard’s tormented relationship with his wife and child is haunting.
Spoiler alert! I also was disappointed with the Willie
Carter Sharpe character, a fast driving blockade runner woman with diamonds in
her teeth. She sounded fascinating, but in the end, she is only discussed by
Anderson and does not interact with the Bondurants.
My minor criticisms aside, this is a book and a movie I
recommend. I expect Academy Award nominations for the movie and the book has
already been named as one of the fifty best books of the year by the San Francisco Chronicle.
Another review for Go Down Looking from Bill Thompson. Ainsworth is a truly gifted writer who
brings his characters to life in a most believable and interesting way. He
describes his books as "fiction based on true stories" and unveils
his characters and plot lines in such a way that the reader cannot distinguish
where the truth ends and the fiction begins, or vice-versa. I'm a devout
Ainsworth fan, and find it hard to believe that we have not seen his novels
transformed into screenplays and featured as made for television movies. Like
most readers, I've already cast all the characters in my mind and can see their
faces and hear their voices in Ainsworth's prose. I highly recommend Go Down
Looking and Jim's other novels. If you haven't read them, you are truly missing
a wonderful experience.
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